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Oh Danny boy, the pipes, the pipes are calling From glen to glen, and down the mountain side The summer's gone, and all the flowers are dying 'Tis you, 'tis you must go and I must bide.

Fine Music Magazine - January 2017 The magazine of Fine Music 102.5 featuring classical music, jazz, interviews, a CD review and detailed monthly program.

Fans of Bollywood should find Der Rosenkavalier (The Rose-Bearer, 1911) to be strikingly familiar: central to the plot is an arranged marriage, which in the 18th century--the period of the opera's action--was common among the European aristocracy. The middle-aged Baron Ochs has come to Vienna to marry Sophie, the beautiful young daughter of the wealthy merchant Herr Faninal.

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The able tenor Eduardo Valdes as the court official Hervey rounded out the cast. Every role is significant in an opera so rich with ensembles, including a climactic Act I sextet almost as memorable as the enduring sextet from Donizetti’s “Lucia di Lammermoor,” and more contrapuntally intricate.

After this fun sextet everybody comes at Leporello with fifteen hundred stones accusing him of doing the things the Don did as well as the other things the Don did discussed as Leporello, quite a lot of stuff. But Leporello wouldn’t be working for a man such as Don Giovanni if he wasn’t cunning and before you know it after uttering some.

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With Christopher Lawrence It's the best way to come home. Classic Drive is a journey through classical sounds to relax your mind and soothe your soul.

Handel created the enchanting Alcina to lure audiences away from a new rival company in London, the Opera of the Nobility. With its themes of passionate love and spectacular magic, Alcina was the fourth and final time Handel drew on Ariosto’s epic poem Orlando furioso. The other three were Rinaldo, Orlando, and Ariodante. Following Alcina.

The entire opera is full of remarkable musical excerpts, including the duet between Lucia and Edgardo at the end of Act 1 Verranno a te sull'aure, the end of the 2nd Act sextet Chi mi Frena, the very famous and long madness Lucia's scene in the 3rd Act Il dolce suono, and the recitative and final aria of Edgardo Tu che a Dio spiegasti. A.