Handel - Giulio Cesare, 1984 - YouTube.

Giulio Cesare is the most popular of Handel's forty operas today, not because the music is better than all the rest (he composed many scores as fine), but because the action, besides concerning itself with persons familiar to modern audiences, is exceptionally clear.The characters undergo their many transformations before our eyes and ears and for comprehensible reasons — Cesare from.

Handel - Love in her eyes sits playing from 'Acis and Galatea' (Anthony Rolfe Johnson).

Giulio Cesare in Egitto (Julius Caesar in Egypt, HWV 17), commonly known simply as Giulio Cesare, is an Italian opera in three acts written for the Royal Academy of Music by George Frideric Handel in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by.

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Handel: Cleopatra. Arias from Giulio Cesare in Egitto, HWV 17 performed by Natalie Dessay, soprano (Cleopatra) Sonia Prina, contralto (Giulio Cesare) Stephen Wallace, countertenor (Nireno) Le Concert d'Astree (on period instruments) Emmanuelle Haim, dir.

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Cast: Natalie Dessay (Cleopatra), Lawrence Zazzo (Cesare), Varduhi Abrahamya (Cornelia), Isabel Leonard (Sesto), Christophe Dumaux (Tolomeo), Nathan Berg (Achille). Laurent Pelly is the director of this Giulio Cesare from the Paris Opera, and from him one would expect a fast-paced staging with l ots of action and entertainment.

Misc. Notes These file(s) are part of the Werner Icking Music Collection.No.13 in Handel’s Sixty Overtures from all his Operas and Oratorios Set for the Harpsichord or Organ: Purchase.

The 7th season of this series was one of the more consistent ones, with only Rigoletto coming across as a disappointment and Maria Stuarda and Parsifal being the standouts. There were many reasons to watch this production of Handel's Giulio Cesare, and for me this production from the Met lived up to admittedly high expectations splendidly.

If anyone still harbors doubts that Handel's operas can be excitingly staged, the Met's smashing new production of Giulio Cesare, which had its gala prem.

In 2013, Erato released Entre Elle et Lui, which saw Dessay accompanied by Michael Legrand on his own songs. That same year, after appearing at the Met in Handel's Giulio Cesare and in Toulouse as Massenet's Manon, Dessay, still in her late forties, retired from the opera stage.